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'Free jazz': where to find it in the Twin Cities

Sorry, by "free jazz" I don’t mean "jazz for free," but avant-garde, outside, experimental, free improvisation - whatever jazz musicians call it, when they call it anything. Although free jazz is usually more affordable than other types. Typical cover: $5, sometimes stretching to $10. And sometimes nada.

A few weeks ago, a friend asked me where to find free jazz in the Twin Cities. I thought, if he wants to know, maybe others do, too. Here’s what I was able to learn, in egalitarian alpha order. Please tell me if I missed something.

Two free jazz events are happening tonight (Monday, March 9): Fat Kid Wednesdays at the Clown Lounge and Improvised Music at Homewood Studios. (More details below.)

Art of This Gallery in South Minneapolis (a.k.a. AOT) has an Improvised Music series that runs on occasional Tuesdays from 8 p.m.-10 p.m. Art of This, 3506 Nicollet Ave., Minneapolis; 612-721-4105.

Black Dog Coffee and Wine Bar in St. Paul’s Lowertown has a Fantastic Fridays series curated by Nathan Hanson of the Fantastic Merlins. The Black Dog also has close ties with the Minnesota Sur Seine music festival and its world musicians. Music starts around 8 p.m. Black Dog, corner of Fourth and Broadway, Lowertown, St. Paul; 651-228-9274.

Café Maude in southwest Minneapolis has interesting and often cutting-edge music on Friday and Saturday nights. Rotating through its schedule are area favorites including Bryan Nichols, Chris Thomson, Dean Granros, and Tim Glenn; I’ve heard Dave King and Dosh play there. The music starts at 9 p.m. Café Maude, 5411 Penn Ave. S., Minneapolis; 612-822-5411.

The Clown Lounge in the basement of the Turf Club on University Avenue in St. Paul features jazz on Mondays. The awesome Fat Kid Wednesdays (Michael Lewis on saxophones, Adam Linz on bass, J.T. Bates on drums) is the house band but others show up. Things get going at the Clown around 10:30 p.m. Turf Club, 1601 W. University Ave., St. Paul; 651-647-0486.

Homewood Studios in North Minneapolis has an Improvised Music series twice each month on a Monday, curated by multi-instrumentalist/composer/ Milo Fine. This can be pretty far-out stuff, but if you’re willing to give it a try it can also be deeply rewarding. Tubist Stefan Kac has told me that this is his favorite gig. The music starts around 7 p.m. Homewood Studios, 2400 Plymouth Ave. N., Minneapolis; 612-587-0230.

Rogue Buddha Gallery in northeast Minneapolis has a monthly (every third Thursday) series called "iQuit: Experimental Music Happenings." I have heard exceptional music there, most recently visiting percussionist Tatsuya Nakatani. Sets start at 8 or 9 p.m. Rogue Buddha, 357 13th Ave. NE, Minneapolis; 612-331-3889.

West Bank School of Music in Cedar-Riverside hosts the Milo Fine Free Jazz Ensemble on the first Friday of every other month. Founded in 1969, rooted in self-determination, the Free Jazz Ensemble is a Twin Cities institution. 8 p.m. West Bank School of Music, 1813 S. Sixth St., Minneapolis; 612-333-6651.

Finally (or not; you tell me): The Artists’ Quarter draws happy crowds to Happy Apple once or twice a year. From time to time, The Cedar blends jazz into its diverse musical mix; I’ve seen Fat Kid Wednesdays, Happy Apple and George Cartwright there. In April they’re doing the CD release for The Bad Plus’s latest, "For All I Care." Scour the calendar. The Late Night at the Dakota series features occasional improvised/circuit-bending/mad-scientist shows. Fridays and Saturdays; check the calendar.

Comments (4)

The Twin Cities Jazz Society is co-presenting a concert in its "Jazz from J to Z" series focussing on the music of the late avant garde pioneer Eric Dolphy with the MacPhail School of Music in Minneapolis in its popular “Jazz Thursday’s” series on April 16. The concert will feature Dave Milne on woodwinds, Kelly Rossum on trumpet, Dave Hagedorn on vibes, Tom Lewis on bass, and Phil Hey on drums.

In addition to Happy Apple, the Artists' Quarter has also presented the Out To Lunch Quintet on several occasions (They recorded their live CD there) and have also presented the following avant garde performers: FKG, Fat Kid Wednesdays, George Cartwright, the Pat Moriarty/Ellen Lease Quintet. AQ regulars Dean Granros Trio, How Birds Work and Red planet also frequently wander outside into the avant garde arena. And who knows where the music will go when Impulso, Dean Magraw's new ensemble makes its Artists Quarter makes its debut this weekend (March 13-14) featuring Brandon Wozniak on saxophones and Jay Epstein on drums.

Thank you, Don. Andrea Canter also let me know in an email that I had shorted the AQ as a free jazz venue. The OTLQ is definitely worth coming out for at MacPhail in April. [Note to readers: Don Berryman runs the jazz and travel website jazzpolice.com, for which Andrea is contributing editor.]

Let's not forget my favorite site for anything avant garde, the Walker Art Center. I've seen some of the most OUT music, jazz or otherwise, at WAC, including Dave Tornz and his Presenz Band last spring with one of our favorite free improvisors born in MN, Craig Taborn. Bill Frisell has brought at least one free ensemble here in the past few years. Walker is good for a few avant garde performances each year.

Indeed it is. See, I knew I was missing something!