Skewed Visions’ new work journeys darkly through the night
Skewed Visions’ new movement-theater piece, "He Woke Up in a Strange Place Called Home and Although Looking for Bed He Kept Finding Death Instead," may be Charles Campbell’s most accessible work. As the 10-person audience’s guide for the dreamlike foray through a Mac-Groveland neighborhood, Campbell is a bespectacled, bathrobe-wearing Pied Piper with a bad case of bed-head who’s both somewhat privy to, but also curious about, where we’re going next.
Good thing he’s so endearing, and relatable. Because the vignettes that occur in a living room, on a deck, along the sidewalk, in someone’s backyard, and in an empty dining room are at once captivating and harrowing. Inspired by George Büchner’s "Woyzeck" and Homer’s "Odyssey," the work is a meditation on violence delivered with pervasive sense of the uncanny.
Many scenes are imbued with charm and childlike innocence. Laurie Van Wieren and Megan Mayer, for instance (on opening night, the performers were all women who are well known in local movement-theater and postmodern dance circles), played a theatrical children’s game with perfect timing and physical expression. Costumed in Gestapo-style uniforms, they could have been bored guards or children playing dress up.
The women of Mad King Thomas (Tara King, Theresa Madaus, Monica Thomas), in their fancy getups, initiated friendly conversations with the audience on politics, then turned on each other. Other performers (also wearing military garb) might be shouting one minute, effusively greeting us the next. Images of an older man and a young long-haired boy are projected on white laundry hanging in a backyard, and white venetian blinds in an empty room.
Throughout the piece, guns are ever present. As is the point-blank shooting — execution style — of one character by another. The first time the (empty) gun clicked, a frisson of fear zapped my nervous system. While the feeling lessened through the hour-long work, that moment of click, followed by a head tilting sideways, never lost its horror.
"He Woke Up ..." 8:30 p.m. Friday-Sunday, through May 31; 142 Cambridge St, St. Paul; Tickets $18, $14, $10; 800-838-3006.
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thanks, Camille-- for your comments, and for the designation of this show as "accessible." Which took me by surprise at first because of the attempts to explain it to neighbors who are catching dream-like glimpses of strange scenes from their front porches or side windows. Despite the sources in Homer and Buchner, the show barely has a plot. Nonetheless it is packed with narrative bits with arcs of their own that lead off into all kinds of provocative questions-- the best kind of performance/ theatre. Charles is channeling Heraclitus (not intentionally) who writes "what we see awake is death, and sleeping, sleep," as well as other of his favorite writers from the other side. The miracle is that he can take those reflections and turn them into a piece so entertaining that it carries the audience of 10 easily through the houses and down the street along with it. I also really liked the movement. And the visual images-- especially the generations of men (grandfather, father, son) playing the Battle Hymn of the Republic on the piano. That last bit, projected on the army coat, was quite moving. Of course a lot of what you notice is based on where you're standing. N'cest pas?!