SERVING MINNEAPOLIS / ST. PAUL / MINNESOTA
Donate Now Sustaining Member

MinnPost thanks these major sponsors:




Sponsor of
Second Opinion



Our major advertisers


Our in-kind partners


MinnPost thanks these generous donors:

INDIVIDUALS AND FOUNDATI0NS
Blandin Foundation
Otto Bremer Foundation
Bush Foundation
Sage & John Cowles
David & Vicki Cox
Toby & Mae Dayton
Jack & Claire Dempsey
Ethics and Excellence in Journalism Foundation
Sam & Stacey Heins
John S. and James L. Knight Foundation
Joel & Laurie Kramer
Lee Lynch & Terry Saario
Martin & Brown Foundation
The McKnight Foundation
The Minneapolis Foundation
The Saint Paul Foundation
Rebecca & Mark Shavlik

(See all donors here.)

Arts Arena Blog

  • Switch to Small Text Size
  • Switch to Medium Text Size
  • Switch to Large Text Size
Email Print Submit a Comment

    Barry Eisler: insights on the making of a thriller

    By Joe Kimball | Published Wed, Mar 25 2009 1:00 pm

    Thriller writer Barry Eisler was in town last night with some great stories about his John Rain series.

    Rain is a likable assassin. Remember, this is fiction.

    Eisler was at the Once Upon a Crime book store in south Minneapolis as part of a tour for his new book, "Fault Line," which is a stand-alone thriller. (No Rain.) But Ben Treven, the hero in this book, is a pretty likable guy, too, a  special-ops agent, and Eisler said last night he's got a second Ben book in mind.

    Eisler worked for the CIA for three years, and his characters are well-versed in covert operations: things Eisler learned in the Company or from friends who still work there.

    Someone asked if the CIA ever objected to any of his manuscripts, or requested that he not use certain information.

    No, Eisler said. Because he didn't tell them about the books, at least not at first.

    "One thing the CIA taught me was that it's better to seek forgiveness than ask permission. So I feel like I was honoring my former employer," he said.

    But with one of his later books, friends at the CIA invited him  to the Langley headquarters to give a lecture about the books. The appearance was mentioned in the CIA newsletter (the Company has a newsletter?) and one of the bureaucrats noticed, and sent a letter wondering why he hadn't submitted his manuscripts for vetting by the agency.

    Eisler's response: When he signed the secrets act he assumed it prohibited revealing actual secrets, and his work is fiction. But he did have another manuscript in the works, and offered to send that one in for approval, with the provision that they needed to act quickly, because of the publishing deadlines.

    He sent it in, and never heard a word. Ever.

    Another time, his U.K. publisher decided to put the CIA seal on the cover of one of his books. Just to be safe, they sent a letter to the CIA seeking permission. When they didn't hear back, they went ahead and  printed the cover and sent the books out to bookstores in advance. That's when the CIA notice came: They would not authorize the use of the seal.

    The publisher panicked and scrambled to retrieve all the books before they were put out for sale. Eisler said he tried to convince them to go ahead and use it: The CIA would never sue, and if they did, it would be terrific publicity. But the publisher caved.

    Eisler's books always feature exotic locales: Bangkok, Macao, Paris, Tibet. He said he loves doing the travel research, and, even though his friends think it's a fabulous boondoggle, he said being on the ground, searching out the places his characters would stay, and eat, and kill, gives the books an essential feel of reality.

    And he talks with experts about martial arts, and killing, and surveillance, to be sure he's got the details right.

    In particular, he wants to accurately portray violence. Some experts, he said, "are twisted."

    "I was talking with some doctors about how to kill someone and make it look like a natural death and they gave me these suggestions. Then one guy said, 'Or you could try this, or this.' But I said, 'That's enough, I get the idea.' "

    Even after consulting with experts about martial-arts moves (he has a black belt in judo, but likes to include other martial arts, too) or police tactics or surveillance moves, he takes his finished passages back to these experts, for a final review.

    "And almost always, they find one little item that just doesn't seem right, that needs tweaking. And after I fix it, I figure that even the experts who read the book will think I must be an expert, too."

    Like what you just read? Support high-quality journalism in Minnesota by becoming a member of MinnPost.

    Advertisement:

    0 Comments:

    E-mail address

    Password

     

    Forgot Password? | Register to Comment

    MinnPost does not permit the use of foul language, personal attacks or the use of language that may be libelous or interpreted as inciting hate or sexual harassment. User comments are reviewed by moderators to ensure that comments meet these standards and adhere to MinnPost's terms of use and privacy policy.

    We intend for this area to be used by our readers as a place for civil, thought-provoking and high-quality public discussion. In order to achieve this, MinnPost requires that all commenters register and post comments with their actual names and place of residence. Register here to comment.








    Send MN arts news to:
    artsarena@minnpost.com

    Arts Arena is now on Twitter.
    Join our followers.

    Arts Arena Contributors

    Susan Albright, a MinnPost managing editor, writes about music and other topics.



    Pamela Espeland writes about jazz.


    Amy Goetzman writes about books, libraries and the literary scene.

    David Hawley writes about classical music, theater and other arts.


    Joe Kimball writes about arts and other topics.


    Camille LeFevre writes about dance.


    Britt Robson writes about music.


    Susannah Schouweiler writes about visual arts.


    Jim Walsh writes about music and culture.