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Minnesota Libraries
Most-Borrowed Books

We asked Minnesota public libraries for their top-circulating titles. Here are the most-checked-out adult and teen books around the state.
ANOKA COUNTY

data for 2008-2010
Adult
1. Fearless Fourteen by Janet Evanovich
2. Twelve Sharp by Janet Evanovich
3. Plum Lovin' by Janet Evanovich

DAKOTA COUNTY
data for 2003-2010
Adult
1. The Da Vinci Code by Dan Brown
Juvenile
1. Harry Potter and the Order of the Phoenix by J.K. Rowling

DULUTH
data for 1999-2010
Adult
1. Duluth: An Illustrated History of the Zenith City by Glen N. Sandvik
2. Duluth: Sketches of the Past edited by Ryck Lydecker, Lawrence J. Sommer & Arthur Larsen
3. To Kill a Mockingbird by Harper Lee

HENNEPIN COUNTY
data for 2010
Adult
1. The Help by Kathryn Stockett
2. The Girl Who Kicked the Hornet's Nest by Stieg Larsson
3. Sizzling Sixteen by Janet Evanovich
Juvenile
1. The Red Pyramid by Rick Riordan

GREAT RIVER REGIONAL LIBRARY
(BENTON, MORRISON, SHERBURNE, STEARNS, TODD and WRIGHT COUNTIES)

data for 2004-2010
Adult
1. True Believer by Nicholas Sparks
2. Nineteen Minutes by Jodi Picoult
3. Dear John by Nicholas Sparks
Juvenile
1. Harry Potter and the Half-Blood Prince by J.K. Rowling
2. Summer of the Sea Serpent by Mary Pope Osborne
3. Haunted Castle on Hallows Eve by Mary Pope Osborne

RAMSEY COUNTY
data for 1985-2010
Adult
1. Housekeeping by Marilynne Robinson
2. For My Daughters by Barbara Delinsky
3. The Last Resort by Dan Binchy
Juvenile
1. Knights of the Kitchen Table by Jon Scieszka
2. Arthur's Mystery Envelope by Marc Brown
3. The Not-So-Jolly Roger by Jon Scieszka

SAINT PAUL
data for 1999-2010
Adult
1. Saint Paul: The First 150 Years by Virginia Brainard Kunz
2. The Spirit Catches You and You Fall Down by Anne Fadiman
3. The Glass Castle by Jeannette Walls

SCOTT COUNTY
data for 2010
Adult
1. The Help by Kathryn Stockett
2. The Lost Symbol by Dan Brown
3. Eat, Pray, Love by Elizabeth Gilbert
Juvenile
1. The Hunger Games by Suzanne Collins
2. The Lightning Thief by Rick Riordan
3. Diary of a Wimpy Kid by Jeff Kinney

WASHINGTON COUNTY
data for 2004-2010
Adult
1. While My Pretty One Sleeps by Mary Higgins Clark
2. Morning Glory by LaVyrle Spencer
3. Bitter Sweet by LaVyrle Spencer

 

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    Capturing chemistry: writing good sex

    By A View from the Loft editorial team | Published Thu, Feb 11 2010 11:59 am

    Loft Literary Center

    Love is in the air at this time of year. Love of all varieties. So the View team gleaned the inside scoop on how to write well about sensuality, romantic love, and sex. Two Loft teaching artists, Ann Rosenquist Fee and Catherine Lundoff, teach the art of erotica. Here are some of their insights.

    The View: What makes a good sex scene good? Who do you like to read for their keen ability to get sex on the page?

    Ann Rosenquist Fee: My favorite sex scenes are those that aren’t, on the surface, about sex. A participant in “Sex on the Page” [Ann’s Loft class] read a scene from his manuscript in which a character cleans a pool. The narrator described the landscape, the mechanics of pool cleaning, and the woman lying nearby, all with language that was so deliberately sensual and rhythmic, we’d have sworn sex was happening.

    Similarly, when actual sex scenes are good, I think it’s due to an element of surprise. Pauline Reage achieves that in "Story of O" by describing violent, passionate acts with pristine and unhurried prose. Gloria Vanderbilt’s new "Obsession: An Erotic Tale" does it, in part, by virtue of the fact that the author is 85. Reviewers don’t love the book, but come on, 85.

    Catherine Lundoff: I like a sex scene that is integral to the story—it doesn’t just pop up out of the blue then go nowhere. I want to get an idea of what these characters are about and how they’ll get where they’re going. Donna George Storey, Cecilia Tan, Cheyenne Blue, M. Christian, and Jacqueline Carey are among my favorites. These are writers who write great sex while telling a great story.

    What are the challenges not only in getting sex on the page but in capturing sexual chemistry? How much of a sex scene is sex?

    AF: The first challenge is knowing what the sex scene is doing for the story. When a writer knows that, he or she has a better shot at knowing what to show and not show on the page. Sometimes it serves the story to show skin on skin; sometimes not. The results can be equally erotic.

    CL:  I think it depends on a number of factors, including genre and the audience you’re trying to reach. In erotic short fiction, for example, the sex scene can be used to tell an entire story. For example, a story of lovers growing apart can be told this way. The difference in intimacy remembered as well as present and future intimacy can be used for both character development and plot arc. The sex scene then becomes a vehicle for telling that story to the reader.

    Read the rest of the article here.

    Craft of Writing | Thu, Feb 11 2010 11:59 am | Comment

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