It’s been a while since I did a film-based list, so I wanted to rectify that oversight, but I didn’t want to skip music altogether, either.

So, I thought I’d share some of my favorite memorable dance sequences from the movies, and I’d welcome your choices, too, in the comment section below.

I can’t go wrong starting with the master, Fred Astaire. Here are three of his countless film scenes — two with astounding dance partners and one unforgettable solo:

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• My favorite: “Begin the Beguine,” with Eleanor Powell, from the film “Broadway Melody of 1940.”

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“Dancing in the Dark,” his magical Central Park turn with Cyd Charisse, in 1953’s “The Band Wagon.” 

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• And his famous dancing-on-the-ceiling scene from 1951’s “Royal Wedding” — and the behind-the-scenes video of how he accomplished the screen magic.

And then a couple of classic dance scenes from timeless Rodgers and Hammerstein musicals:

• Yul Brynner and Deborah Kerr overcoming cultural differences — and falling in love — in “Shall We Dance,” from the 1956 film “The King and I.” My favorite film “couples dance.”

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• The energetic “June Is Bustin’ Out All Over,” from the film version of “Carousel,” also from 1956.

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And, for some reason, there’s something special about seeing guys dancing in a way that emphasizes the athletic, rather than more aesthetic, side of movement. See if you agree in this wide array of numbers:

• The barn dance number, from the 1954 film “Seven Brides for Seven Brothers,” that starts in a fairly traditional way until about 2 minutes in, when round after round of show-off, macho, “one-up-manship” takes over.

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• Even staid business executives cut loose in the “Brotherhood of Man” number from the 1967 film “How to Succeed in Business Without Really Trying.”

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And, of course, Gene Kelly makes two appearances:

• His dance with cartoon character Jerry Mouse in the 1945 movie “Anchors Aweigh.”

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• And his career showstopper, the title song from 1952’s “Singin’ in the Rain.”

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I’ll close with my favorite film ensemble dance (complete with Ann-Margret), the complicated “Lot of Livin’ ” staging from 1963’s “Bye Bye Birdie.”

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