Chinese sculptor of National Mall’s Martin Luther King monument was ‘discovered’ in St. Paul

A crowd gathers on the National Mall to view the new Dr. Martin Luther King Jr. memorial.
REUTERS/Jason Reed
A crowd gathers on the National Mall to view the new Rev. Martin Luther King Jr. memorial.

St. Paul played a big role in the long effort to complete the massive new memorial to the Rev. Martin Luther King Jr., which will be officially dedicated Sunday on the National Mall in Washington, D.C.

Chinese sculptor Lei Yixin is the sculptor of the 30-foot likeness of King. He was selected for the work after monument organizers saw him working in St. Paul five years ago and decided he was the guy for the job.

Because of St. Paul’s role, a contingent of Minnesotans will be on hand in D.C. Sunday for the big day, which comes on the 48th anniversary of King’s “I Have a Dream” speech.

The $120 million monument — which has had its share of controversy, some of it involving Yixin — sits on a 4-acre site on the mall near the Capitol. Planning began in 1996, when the Alpha Phi Alpha fraternity, to which King belonged, was given permission to build a memorial to the late civil rights leader in the nation’s capital.

It took years for the organizers to come up with a vision for the memorial — and with the money. Selection of a sculptor, too, took years, and the lengthy quest to find an artist finally brought them to St. Paul.

A ‘Rock’-ing good time in St. Paul
In 2006, Public Art St. Paul, a nonprofit arts advocacy group, held a “Minnesota Rocks!” sculpting competition called that drew sculptors from around the world to create stone sculptures in an outdoor studio.

Using Minnesota stone, the artists created works that, when finished, were placed in public locations around town. Among the sculptors was Lei Yixin, who is from Changsha, Hunan Province, which is one of St. Paul’s Sister Cities.

The event drew wide publicity at the time, and the Wall Street Journal did a story about the international artists working in stone on massive projects in St. Paul. MLK monument officials saw the story and wasted no time in booking tickets to St. Paul, said Christine Podas-Larson, president of Public Art St. Paul.

“They knew that a 30-foot sculpture of Dr. King was going to be the centerpiece of the memorial, and they’d been looking for several years for a sculptor who could work on that scale. And they had despaired,” Podas-Larson said.

“But when they saw publicity about how we had all these sculptors from around the world in St. Paul, they hopped on a plane. They knew they were going to find their sculptor. They didn’t know which one, but they knew they’d find their artist.”

St. Paul officials didn’t know they were coming, and neither did the sculptors.

Said Podas-Larson:

“When the three men from Washington showed up, the artists were taking a nap; Lei Yixin was asleep behind a rock. One artist was awake and greeted them, but he didn’t believe them at first when they said they’d come to find a sculptor for the memorial.”

Sculptor Lei Yixin standing in front of the memorial.
REUTERS/Jason Reed
Sculptor Lei Yixin standing in front of the memorial.

At some point, they woke up Lei.

After a while, they wanted to talk with Lei, but he didn’t speak English.

“Just then, Weiming Lu [an urban planner in downtown St. Paul] showed up on the site and was able to translate for Lei,” Podas-Larson said.

They wanted him to go to Washington to learn more about the project. But that was complicated, too, because visas were very hard to get in 2006, and Lei had to apply to stay in the country longer than the sculpting symposium, Podas-Larson said. “The Immigration Service said no. Finally, [Rep.] Betty McCollum stepped in and helped him get an extension, so he could go to D.C. and get the commission.”

Controversy after controversy
The memorial has seen its share of controversies. At first, there was an outcry because a Chinese sculptor had been chosen.

“When [the organizers] first came to town, we went out to lunch, and my first question was, ‘Won’t this be a problem because he’s not African-American?’ But they agreed that any project dealing with Martin Luther King Jr. transcended race and nationality. They were adamant about that,” she said.

“Of course, they did end up getting a lot of grief about that. But it seems, from what I can tell, that it has died down.”

Then, the first models of the MLK sculpture, unveiled in 2007, were criticized because some felt they made King look Asian. The models were later revised, and now there seems to be little concern about the statue’s look.

Even Martin Luther King III appreciates the likeness.

“I’ve seen probably 50 sculptures of my dad, and I would say 47 of them are not good reflections — that’s not to disparage an artist,” the younger King said. “This particular artist — he’s done a good job.”

And then there were unhappy American stone workers.

“The decision had been made, even before Lei was chosen as the artist, to use a certain white granite, unique to China, for the statue,” Podas-Larson said. “He carved it in China, and it was then taken apart into 158 pieces, like a jigsaw, and transported on a ship and brought to the National Mall, where it was reassembled.”

Lei brought his own team of Chinese stone workers.

Said a story this summer in Your Black World:

There are also some who would argue that Dr. King, a man who fought for the rights of American workers, might be concerned about the exclusion of black and white American workers on the project. Bringing Chinese workers across the world to work on a King memorial is an interesting reminder of corporate globalization that is taking place in America today. Throughout the economic recovery, American workers have been the least to benefit, while the wealthy and corporations have done quite well. Part of the reason for this division is due to the fact that wages are kept low by using workers overseas.

That controversy, too, seems to have faded, Podas-Larson said. “There’s nothing easy in the world of public art. Or the world,” she said.

Unassuming man with a booming voice
Lei returned to St. Paul last year for an art exhibit with other Chinese artists at St. Paul’s College of Visual Arts. He’s a noted artist in China, known as Master Lei, Podas-Larson said. He has a large body of work installed across that country. Like many Chinese artists during the Mao era, much of his early work depicts communist leaders, including Mao.

Podas-Larson calls him a self-effacing, shy man, with a “deep speaking voice, a commanding voice — he doesn’t talk much, but when he does, it’s deep and melodic; very compelling.”

Westerners have trouble pronouncing his wife’s name, so they call her “Rocky,” she said. Their son Ke Shi went to college in the United States and is helping his father with the statue installation.

Podas-Larson said she’s never talked with Lei about the controversies surrounding the King statue.

Delegation heads to D.C.
St. Paul’s role in helping memorial officials “discover” Lei has not gone unnoticed.

Podas-Larson and other St. Paul arts officials were honored at a lunch for Lei, where Ed Jackson, executive architect of the memorial, asked them to stand and said the project couldn’t have happened without Public Art St. Paul.

This weekend, a contingent of St. Paul folks will be in prime seats at the dedication, at Jackson’s invitation. Those attending from Minnesota are:

• Podas-Larson and her husband, Kent Larson.

• Public Art St. Paul Board Chair Ed Fox.

• Former board member Philip Rickey, a sculptor and initiator of “Minnesota Rocks!”

• College of Visual Arts President Ann Ledy.

• Abe Gleeson, “Minnesota Rocks!” site manager who was on site for six weeks with Lei.

• Mary Warpeha and Mike Xiong of the USChina People’s Friendship Association of Minnesota.

• Ning Li, a native of China and a Minnesota-based friend of the Leis.

And some of them are having dinner Friday night with the Lei family. “This is quite exciting. We are so honored,” Podas-Larson said.

Still a St. Paul presence
You can find a very visible example of Lei’s work, his sculpture “Meditation,” displayed in St. Paul’s Phalen Park. It’s the sculpture he produced in 2006 for the symposium in St. Paul: the large stone face of a Hunan girl, carved from limestone quarried in Minnesota.

The statue was defaced by vandals in the summer of 2008, much to the outrage of the community. But it’s been cleaned up and is now watched over by 120 “stewards” who signed up to walk by the statue on a regular basis and help clean it twice a year.

After the spray-painted graffiti was cleaned up, the city held a program, and a statement from Lei was read: He quoted from Martin Luther King Jr. and said he forgave the vandals.

Comments (9)

  1. Submitted by Francis Ferrell on 08/25/2011 - 11:12 am.

    Isn’t the monument’s stone quarried from Minnesota?

  2. Submitted by Clint Button on 08/25/2011 - 08:15 pm.

    It is sad that St Paul’s reps, in the euphoria of celebrating their connection to this project, are so quick to dismiss the qualified American artists who were clearly denied a fair opportunity to produce this project. So much for supporting the arts in America.

    MLK Foundation officials visited Barre Vt seeing sculptor and quarrier a few weeks before visiting MN Rocks! event and were told immediately that producing the statue entirely in USA- even as 1 piece of stone- would be no problem. But they were never allowed to bid. MLKF reportedly gave Lei a check for over $130K at St Paul and was sent home to begin work. Any MLK sketches in his studio when they visited were already paid for, not spontaneous as some reports represent.

    This foundation’s actions throughout this matter have been reprehensible, even if manipulated to somehow be technically legal.

    Lei’s unique qualification? He subbed this project to the Dinglii Stone Carving Company, per their bragging spam emails sent afterward to USA granite companies. He was even quoted at that St Paul event stating that limestone (not granite) carving was the first one he had ever done all by himself! yet he deserves this great opportunity over all Americans, possibly because the willing and able full time professional sculptors in USA were not black, per MLKF parameters.

    This is an American story, to be told by Americans. That is not biased, simply true. There is nothing wrong with Lei producing his country’s and culture’s national monuments. St Paul’s event might have been wonderful, but I, nor any other USA artist, do not receive a lifetime pension as a “national treasure” from the Communist Govt of China for my state work. I cannot nap under a rock or tree halfway around the world at an art festival because I know a check is guaranteed. This is a huge opportunity lost and until we work together, we will all suffer.

    It is time to right this wrong and produce a new statue to Dr King, 100% Made in the USA. We want Lei’s statue donated to the people of China as a gift of our good will. It is their interpretation of freedom, not ours. They need it.

  3. Submitted by Sue Halligan on 08/26/2011 - 01:56 am.

    Whatever happened to the products of the “Minnesota Rocks!” project? I followed the story for some weeks that summer, and as I recall the final sculptures were always not quite ready for actual viewing by the public. Did at least some of them actually end up viewable? Were they installed in permanent places as “public art”?

  4. Submitted by Rod Loper on 08/26/2011 - 07:56 am.

    I have mixed feelings about this sculpture without
    having experienced it in person, I must add. It has a stalinist feel. Something more life sized
    like the Viet Nam memorial with key figures, MLK, Coretta, Rosa Parks, Medgar Evers etc. going arm in arm down a street on behalf of poor people past hostile white folks would have been better.

  5. Submitted by Deborah Irestone on 08/26/2011 - 11:21 am.

    the committee must have seen the talent in Mr Lei’s Meditiation Statue that they wanted for the MLK Memorial. i see no reason that a talented sculptor from another country has been hired to do a memorial. i don’t believe this is the first time a statue has been done for an American public area by someone who is not American. talent is found all over this world and Mr Lei was in the right place at the right time.
    i think it looks like it is a beautiful statue of a great American.

  6. Submitted by Shen Fei on 08/26/2011 - 06:06 pm.

    I am a permanent U.S. resident who went to college and lived many years in Changsha, Hunan, China (the same city as the sculptor). I am proud that one of my own university art teacher’s friends, Mr. Lei, was selected to create this important memorial. In this world I am happy the U.S. and China can live together like brother and sister. It was a “you yi si” (intresting) article.

  7. Submitted by Ginny Martin on 08/28/2011 - 03:43 pm.

    Martin Luther King was never an insular figure, a parochial man whose insights and values were limited to American civil rights. I can’t think of many other countries who need this message more than China. Toward the end of his life, King turned his attention to the Vietnam war — to war in general — and focused his work on war and poverty (and they are linked). He was an inspiration for his beliefs and activities all done in a non-violent way (which is a harder road than the alternative).
    Let’s quit carping. The monument is done and no one is going to do it over (and the sculptor was sleeping behind a rock when the committee came to investigate the works), he didn’t go to sleep after he got the commission. The Committee had spent years seeking the right artist to create this work.
    It’s a beautiful piece of work and I will have to trek over to Phalen and look at his “Meditation.”

  8. Submitted by Beryl John-Knudson on 08/28/2011 - 05:55 pm.

    MLK Monument…a dream ending or a dream extended?

    I want the Martin Luther King Monument to be more than a reminder. I want his granite image to break out of that stone that holds him captive.I want those folded arms to spread open again like wings embracing. I want his face to come alive; his eyes to light up. I want the stone image with tight-lipped mouth to open wide and speak…I want all the hope and positive change he actuated for so many of us, be revitalized. I want his image, even in its silence now, to speak for all those who now still live in the shadows.

    I want the granite that virtually lies crumbled behind him to become a fountain…waters like life itself flowing in respect to MLK. who so boldly demanded what none dare refuse…in his determination, seeking humanity to change by challenging the archaic and uncivil tyrannies that for centuries abused and still abuse the freedoms of so many.

    Let waters flow from the rock again as in the words he once shouted from the rooftops and the mountain tops, “…until Justice rolls down like water and righteousness like a mighty stream.”

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