In November, walking through “100 Years and Counting,” the look-at-us, we’re-back show at the Minnesota Museum of American Art’s new space in the Pioneer Endicott, we saw a familiar face: “Brian, Williston, ND,” Alec Soth’s portrait of an oil field worker. And we thought – Alec Soth! Where have you been? We haven’t heard a word about you in ages. Same when we saw Soth’s “Prom #1: Cleveland, Ohio” on the wall at the Walker in its new exhibition “Five Ways In.”
Then this, last week in the New York Times: “A Year of Quiet Contemplation Led to the Rebirth of Alec Soth’s Photography.”
We’ll see what that meant and how it played out next Friday, March 15, when Weinstein Hammons Gallery will hold an opening reception for “Alec Soth: I Know How Furiously Your Heart Is Beating.” This exhibition of new large-format photographs will be the Minneapolis-born and based photographer’s fifth solo show with the gallery.
Taken over the course of a year in cities across the globe – indoors, in people’s homes – the images depict domestic intimacy rather than geography or nationality. The title is a line in Wallace Stevens’ poem “The Gray Room.” Here’s the whole (short) poem, if you’d like to read it. The poem could easily be a description of an Alec Soth photograph. From the Weinstein Hammons: “Soth expresses poetic mysteries unleashed from the quiet encounter in a stranger’s room beholding the fragile enigmatic beauty of another person’s life.”
“I Know How Furiously Your Heart Is Beating” will run in three cities at the same time, with ours opening first. The New York show will open March 21 and San Francisco on March 23. Note that the Weinstein Hammon is a small, street-level space in southwest Minneapolis. It’s likely to be a squeeze on opening night. 6-8 p.m. Free.
The picks
Tonight (Friday, Mar. 8) at the O’Shaughnessy: Toshi Reagon: “I Have Seen the Good Worlds.” Especially if you have plans to see “Octavia E. Butler’s Parable of the Sower – The Concert Version” when it comes to the O’Shaughnessy on April 26 (one performance only!), catch this free talk by Toshi Reagon, who created the new opera with her mother, Sweet Honey in the Rock founder Bernice Johnson Reagon. Her lecture is described as “notes on Octavia E. Butler’s ‘Parable of the Sower’ and the Art of Prediction as Activation.” 7 p.m. Free, but tickets are required. P.S. Today is International Women’s Day.
Monday at 900 Hennepin: “Trailblazing Women: In the Spirit of Harriet Tubman.” Performance artist Hester Moore, channeling Tubman, will share songs and stories of slavery, struggle, freedom and hope at this one-night, all-ages fundraiser for the Minnesota African American Heritage Museum and Gallery. The night of performances also features J.D. Steele and the MacPhail Community Youth choir, vocalist Annie Mack and the WE WIN Institute Drummers. Reception with performers at 5 p.m., performances at 6:30. Suggested donation $15. FMI and RSVP. 900 Hennepin is Hennepin Theatre Trust’s event center next door to the Orpheum; most recently, it was home to Solera.
Tuesday at Minneapolis Central Library: Talk of the Stacks with Adam Makos. In March 1945, Clarence Smoyer was a young gunner with the U.S. Army’s 3rd Armored division, fighting to capture the German city of Cologne. More than 70 years later, he’s tormented by the thought that his shot led to the death of a young German woman – a scene caught on film by an Army photographer. Historian and New York Times best-selling author Adam Makos tells the story in his latest nonfiction book, “Spearhead: An American Tank Gunner, His Enemy, and a Collision of Lives in World War II.” Here’s a CBS Sunday Morning feature you’ll want to watch before you go. Doors at 6:15 p.m, program at 7. Sales and signing to follow. Free.